The one pack here that covers a whole Memphis beat, and the melodics arrive already hazed so you skip a processing stage.
The good
- Melodic loops arrive pre-hazed, so no extra lo-fi chain needed
- Kicks are transient-forward and snares slap without an EQ boost
- 808s are long enough to chop into slides
- MIDI and sampler patches included alongside the audio
The bad
- Best loops cluster at 86 to 100 BPM, wrong end for drift phonk
- Contents listing does not break out cowbells
- 900 MB means a lot of digging before you find your folder
- Stretching to 155 BPM is audible on the guitars
- Format
- WAV 24-bit, MIDI, sampler patches
- 808s
- Yes
- Cowbells
- Not listed
- Content
- Loops, one-shots, MIDI, patches
- Size
- Over 900 MB
- Tempo
- 86-140 BPM
- License
- Royalty-Free
Why we rated it that way
Our rating, by criterion
- 808 distortion 8.0
Heavy and long, though you add the clipping yourself.
- Tape and grit 9.0
Melodic content ships inside a lo-fi haze.
- Mix at 130-160 8.5
Drums sat at 138 half-time with the fader alone.
Why we picked it
Best for Memphis phonk producers who want 808s, drums and pre-damaged melodics in one place instead of assembling a beat from four separate packs.
Who should skip it
Avoid if you produce drift phonk at 150 BPM and up, because the melodic loops stretch badly out of their range.
Tone Kitchn ran the melodic content through a lo-fi haze before shipping it, which is exactly the state phonk needs its samples to arrive in.
Most packs give you clean melodics and expect you to damage them yourself. This one arrives already hazy, and that saves a whole processing stage.
I pulled a guitar loop at 138 BPM, half-timed the drums under it, and it sat in the pocket immediately with nothing on the channel but a fader. The 808s are heavy and long, which is what you want when you are chopping them into slides.
The drums knock. Kicks are transient-forward and the snares slap without me boosting anything above 2k. Where it falls short for phonk is the tempo spread.
A lot of the best loops sit at 86 to 100 BPM for the lo-fi half of the pack, so if you are working at 155 for drift you are stretching them and hearing it. Treat this as a Memphis pack and it earns its price.